The Dark Knight Takes on the Riddler and Doctor Death in “Batman Volume 5: Zero Year – Dark City”

“Batman Volume 5: Zero Year – Dark City” continues writer Scott Snyder’s electrifying retread of the Dark Knight’s early years as a crime fighter in Gotham City. He finds himself going up against Edward Nygma, who calls himself the Riddler, and a disgraced bone researcher dubbed Doctor Death after a series of medical tragedies. The book collects Batman issues 25 through 27 and 29 through 33 of the monthly title.

The Riddler is holding the city ransom under a technological net that scrambles all electronic communications in and out of the great metropolitan. Our hero must find a way to thwart his bone-crushing minion Doctor Death along the way and shut down the Riddler’s hold on all of Gotham before it’s too late.

Scott Snyder gives us the Dark Knight we want in “Batman Volume 5: Zero Year – Dark City.” He’s young and ready to take on the world. Besides his physical stamina and fighting abilities, he uses his intellect to solve conundrums and track down Doctor Death and the Riddler. Snyder knows exactly how to blend together Batman’s detective skills with his physical strength and agility to create a story strong in both mystery and action.

Artist Greg Capullo continues to bring Snyder’s words into being with his remarkable illustrations. Every panel tantalizes the eye with intense scenes of drama and menace. FCO Plascencia’s coloring emphasizes Capullo’s handiwork and makes it pop off the page.

“Batman Volume 5: Zero Year – Dark City” is rated “T” for Teens. Things do get a little tense and there are some disturbing images when it comes to Doctor Death’s victims. The only other issue is the comic book violence which pushes this into PG-13 territory.

Some bonus material is included in “Batman Volume 5: Zero Year – Dark City.” There are fifteen pages of variant covers by artists like Dustin Nyugen, Paolo Rivera, Mike and Laura Allred , Jon Katz, Bob Staake, Tony Moore, and Jim Fletcher. They contain “Scribblenauts,” MAD, “Robot Chicken,” and Batman ’66 alternates to name a few.

I’m enjoying the new vision of the Dark Knight’s early years we’re getting in “Batman Volume 5: Zero Year – Dark City.” The interesting new costume designs for Batman are entertaining. Greg Capullo’s renderings of young James Gordon and the Riddler are also captivating. Scott Snyder and Capullo are a partnership which could steer the Batman title ahead magnificently for a long time.

“Batman Volume 5: Zero Year – Dark City” is available now in hardcover, paperback, and digital editions.

The Dark Knight Takes on the Riddler and Doctor Death in “Batman Volume 5: Zero Year – Dark City”

“Batman Volume 5: Zero Year – Dark City” continues writer Scott Snyder’s electrifying retread of the Dark Knight’s early years as a crime fighter in Gotham City. He finds himself going up against Edward Nygma, who calls himself the Riddler, and a disgraced bone researcher dubbed Doctor Death after a series of medical tragedies. The book collects Batman issues 25 through 27 and 29 through 33 of the monthly title.

Clive Barker's “Nightbreed: The Director’s Cut – Limited Edition” Haunts Your Home on Blu-ray

I’m no stranger to looking past how certain movies have aged over the years. I can still enjoy a film from decades gone by and overlook their special effects and production values from the time. However, there are certain aspects I have a hard time ignoring. A lack of cohesive editing and scrambled arrangement is the downfall of Scream Factory’s “Nightbreed: The Director’s Cut – Limited Edition.”

Aaron Boone is a troubled young man whose psychiatrist has convinced him that he's a serial killer. He flees to a graveyard called Midian, which houses a group of mutants which live underground and call themselves the Nightbreed. The outcasts are hiding from the human world. Their existence is soon threatened by the arrival of a murdering psychopath and vigilantes which Boone inadvertently lead to Midian.

There’s always been a lot of talk about studio tampering when it comes to the theatrical version of “Nightbreed.” Clive Barker’s cut of the movie is a disjointed mess of scenes that jumps back and forth giving it a scattered and clumsy feel. It doesn’t convey its creator’s genius the way it should.

If you look past all its negatives, “Nightbreed: The Director’s Cut – Limited Edition” does a great job showing Clive Barker’s talent at manufacturing characters that are both sympathetic at a human level and unique in design. The creatures found in the movie each have their own characteristics and look, much the way Barker did for the Cenobites of “Hellraiser.” You empathize with each one even if they do appear frightening on the outside.

“Nightbreed: The Director’s Cut – Limited Edition” features a new 1080p high-definition widescreen transfer with 5.1 DTS-HD Master Audio. The picture is beautiful and has never looked so good. The surround sound will have home entertainment audiences peering over their shoulders as the creepy environmental reverberations of Midian envelope them in terror.

From a religious standpoint, most fundamentalist Christians are going to have serious issues with “Nightbreed: The Director’s Cut – Limited Edition.” The title group worships Baphomet, which is an idol or deity most commonly associated today with the Church of Satan. Aside from that, it’s referred to as a representation of the sum total of the universe – male and female, good and evil, etc. From what I understand, Barker is an atheist so it’s safe to say he uses Baphomet as a symbol of the latter. Either way, its pagan in design which won’t make Christians comfortable watching it.

“Nightbreed: The Director’s Cut – Limited Edition” is unrated but could easily hold an “R.” There’s some nudity and gore, but nothing that sends it into NC-17 territory. There’s the usual amount of violence and gore found in horror films as well.

Scream Factory has packed tons of great bonus material into the “Nightbreed: The Director’s Cut – Limited Edition.” A new introduction from Clive Barker kicks things off when you play the movie. Audio commentary is provided by restoration producer Mark Alan Miller and other talent associated with the project. Cast and crew give new interviews for the release as well. They include Craig Sheffer, Doug Bradley, Hugh Ross, and many more. We also get other special features like deleted scenes, matte painting tests, a theatrical trailer, and more.

It’s said that Clive Barker was attempting to create a world of horror the likes of what “Star Wars” did for science fiction. As far as characters and settings go, he accomplished his goal. However, the breakdown for “Nightbreed” was in its lack of cohesion when it comes to narrative arrangement. Its unconventional editing and thrown-together feel hijacked any chances of conventional moviegoers catching on to it. I do believe it’s ripe for a sequel in a day and age where older concepts and movies are being re-booted and given another chance.

“Nightbreed: The Director’s Cut – Limited Edition” is available now on Blu-ray.

"Nightbreed: The Director's Cut" is also available in a basic edition right here.

Clive Barker's “Nightbreed: The Director’s Cut – Limited Edition” Haunts Your Home on Blu-ray

I’m no stranger to looking past how certain movies have aged over the years. I can still enjoy a film from decades gone by and overlook their special effects and production values from the time. However, there are certain aspects I have a hard time ignoring. A lack of cohesive editing and scrambled arrangement is the downfall of Scream Factory’s “Nightbreed: The Director’s Cut – Limited Edition.”

Deathstroke is Back in His Own Monthly Book

It comes as no surprise that DC Comics is re-launching a monthly series for Deathstroke. The character is more popular now than ever after being heavily featured on “Arrow,” “Son of Batman,” and different video games. Issue 1 is a great start to another chapter in the life of the mercenary-for-hire.

Slade Wilson travels to Russia for his latest mission of murder. Upon arriving, he partners up with contact Angelica to help track down his hit. It seems like a simple job, but circumstances get complicated when the target displays a deadly capability to technologically invade Deathstroke’s mind.

Tony S. Daniel is the writer for the newest tales of Deathstroke. Issue 1 gets the party started with plenty of intrigue and violence to keep readers’ attention. It’s fast-paced and keeps you moving forward at light speed.

Causing me to do a double take once again, Daniel is also handling the art duties for Deathstroke #1. I don’t know how this extremely talented man gets the time to keep up with not only an ever-expanding storyline, but also bringing it to life in illustrations. The whole concept is beyond amazing to me. Tony’s hyper-realistic style adds the perfect touch to an already satisfying comic.

Deathstroke #1 is rated T+ for Teen Plus. It’s not quite extreme enough to be suggested for mature readers only. There’s lots of bloodshed and gore topped with some adult situations.

There’s no doubt that Deathstroke’s missions will continue to be highlighted every month after this entertaining first issue. A healthy blend of action and drama with superb artwork guarantees readers will come back for more. Tony S. Daniel has once again taken a beloved character and expanded on his legacy.

Deathstroke #1 is available now in print and digital editions.

Deathstroke is Back in His Own Monthly Book

It comes as no surprise that DC Comics is re-launching a monthly series for Deathstroke. The character is more popular now than ever after being heavily featured on “Arrow,” “Son of Batman,” and different video games. Issue 1 is a great start to another chapter in the life of the mercenary-for-hire.

Celebrating "KISS Meets The Phantom Of The Park"

In 1978, there were two things on the minds of boys ages 5 to 16. OK, maybe three. They were KISS, "Star Wars," and girls. You pick the order they were in for you personally. I was 6, so girls really hadn't figured into the equation yet.

Girls were on boys' minds for the obvious reasons. "Star Wars" was popular because it had just been released the year before and blew everyone away with its groundbreaking, never-before-seen special effects and imagery. After only being around since 1973, KISS was the hottest band in the world because of their shockingly explosive on-stage spectacle and look. They had already released several best-selling studio, live, and solo albums. They had t-shirts, stickers, belt buckles, and everything else you can think of with their logo and likenesses plastered on them. The band even had a comic book that featured the members as superheroes that was published through Marvel Comics.

Their manager, Bill Aucoin, could only see one other area KISS could move into that hadn't been explored yet. The band needed to make a movie. And not just any movie: a movie that put the band into the status of superheroes they were raised to in their comic book.

KISS needed to be seen as superheroes each with individual powers that reflected their different personae. Singer/guitarist Paul Stanley (the Starchild) could control and read minds. Singer/bassist Gene Simmons (the Demon) had super strength and could breathe fire. He also had a reverberating voice that commanded people listen to him and animal-like growls. Singer/lead guitarist Ace Frehley (the Spaceman) could shoot lasers and teleport. Drummer/singer Peter Criss (the Catman) had superhuman agility and leaping powers.

Horror director Gordon Hessler helmed "KISS Meets the Phantom of the Park." He had worked on several films with Vincent Price and on "The Alfred Hitchcock Hour." There was the monster movie element Gene Simmons would be happy about. The film was produced by Hanna-Barbera, which probably gave manager Aucoin a feeling of comfort that it would be kid-friendly and made to appeal to that demographic. Hanna-Barbera was known for hit shows like "Scooby-Doo," "The Jetsons," and "Johnny Quest." "KISS Meets the Phantom of the Park" debuted on October 28, 1978.

What better time for a movie about a rock group disguised in makeup with super powers who battled a mysterious villain and his robots to come out than a few days before Halloween? It was featured as one of NBC's "Movies of the Week" and was a hit. Millions of kids were glued to their television sets that night.

With Halloween right around the corner, the anniversary of the release of "KISS Meets the Phantom of the Park" is here as well. I still remember watching it and being thrilled to see my rock superheroes KISS in action. I was the perfect age for what the movie was all about. If it was a marketing ploy to get millions of younger kids hooked on the super-powered look of KISS so they could sell more records, it worked. Thirty-six years later, I'm still a member of the KISS Army!

You can rent or buy the European version of "KISS Meets the Phantom of the Park," titled "KISS in the Attack of the Phantoms," on DVD. It's part of the "KISSOLOGY Volume Two: 1978-1991" box set. Will it stand the test of time and be as cool as you remember it being in 1978? No way. Is it still a lot of fun anyway? You bet it is.

Celebrating "KISS Meets The Phantom Of The Park"

In 1978, there were two things on the minds of boys ages 5 to 16. OK, maybe three. They were KISS, "Star Wars," and girls. You pick the order they were in for you personally. I was 6, so girls really hadn't figured into the equation yet.

Batman's Boyhood Home Becomes House of Crazies in Arkham Manor #1

With 2014 being Batman’s 75th anniversary, DC Comics is flooding every month with new titles for fans to scoop up. Arkham Manor is one of those books looking to give Dark Knight enthusiasts as much of a good thing as they can stomach plus a few more bites. Issue 1 kicks off an interesting storyline which engages readers from the get-go.

After the destruction of Arkham Asylum, its inmates were temporarily relocated to an outdoor sports arena. A more permanent facility is needed to keep the crazies locked up tightly. The government of Gotham City finds what it’s looking for in Wayne Manor.

With just a few minor adjustments to its locks and design, the monstrous estate will become home to the most dangerous criminals our Caped Crusader has ever faced. Luckily, our hero’s secret hideout is located right underneath it still. You can take the Wayne out of the Manor, but you can’t take the Bat out of the cave.

Writer Gerry Duggan does a fine job establishing an intriguing storyline which will no doubt keep readers coming back for more. It’s really not that complex of a tale, but still grabs your attention. What about the most famous estate in comic book history being turned into the most famous holding facility for Gotham’s criminally insane isn’t compelling? Batman’s secret lair hidden underneath it makes everything even more interesting. The last page of Arkham Manor #1 demands you return next month for part two.

Shawn Crystal provides his vision of Batman’s world through his art for Arkham Manor #1. It’s always a breath of fresh air to see a unique take on the familiar world and characters of Gotham City. His handiwork has a contemporary flare while maintaining a classic appearance.

Arkham Manor #1 is rated T for Teens. If you’ve seen “The Dark Knight,” nothing found here will shock you. There’s some crime scene gore but very little else parents should worry about. Batman doesn’t even get visually violent. Any vicious act of interrogation takes place behind the scenes.

There are so many Batman titles hitting shelves, it’s hard to decide which ones to follow. The decision is made even more difficult when all of the existing ones are either already well-established or have long-term staying power. Arkham Manor #1 makes the choice of what to read even harder thanks to unique artwork and a compelling tale that leaves you wanting more.

Arkham Manor #1 is available now in print and Kindle editions.

Batman's Boyhood Home Becomes House of Crazies in Arkham Manor #1

With 2014 being Batman’s 75th anniversary, DC Comics is flooding every month with new titles for fans to scoop up. Arkham Manor is one of those books looking to give Dark Knight enthusiasts as much of a good thing as they can stomach plus a few more bites. Issue 1 kicks off an interesting storyline which engages readers from the get-go.

Return to "Krull" For a Fantastic Journey in Hi-Def

1983’s sci-fi fantasy adventure “Krull” gets its Blu-ray debut thanks to Mill Creek Entertainment. A failure at the box office when it originally came out, the cult classic blends together the best elements of “Star Wars,” “Excalibur,” and “The Lord of the Rings.” The end result is an occasionally slow-paced swashbuckling sword-and-sorcery tale guaranteed to thrill those waiting for it to get a high-definition release.

The mystical planet Krull is light-years beyond our universe. After it’s invaded by a malevolent creature referred to as the Beast, Prince Colwyn (Ken Marshall) must rescue his damsel-in-distress (Lysette Anthony) from its deadly clutches. He journeys across the dangerous plains of his world to the sinister Black Fortress where she is being held captive. The fearless warrior recruits a motley band of wizards, thieves, and mythical beings to go up against the Beast's army of Slayers.

“Krull” is presented in 1080p High-Definition and 5.1 DTS-HD Master Audio. The video is cleaned up but retains the cinematic grain that audiences expect from a film made in the 1980s. All the majestic landscapes captured for the movie are a vision to behold thanks to the welcome format upgrade. James Horner’s extraordinary musical score sounds wonderful mixed together with all the environmental sounds and action-packed laser blasts and explosions you would expect from a sci-fi / fantasy epic.

No special features are included on the Blu-ray edition of “Krull.” I would imagine Sony wanted to keep its cast and crew commentary exclusive to the special edition DVD version they released a few years back. It would have been nice to see a “Behind-the-Scenes” featurette or even some trailers or TV spots for the film.

The movie is rated PG for violence, gore, and frightening and intense scenes. Things get gooey whenever a slayer or agent of the Beast is killed. Their blood-smeared heads split open and a slimy alien parasite squirms out. If it takes on a human form and is killed, the body deflates like a balloon as it collapses to the ground. There’s no profanity or nudity found in “Krull.”

If “Krull” is trying to tell any sort of moral story, it would be that we can accomplish anything we set our minds to. You just have to work hard to reach your goal. It also teaches that good will always triumph over evil in the end. Some will consider that idea to be old-fashioned and naïve, but I still believe.

“Krull” might take place in another galaxy, but it’s still a very human and age-old medieval tale where the hero’s journey leads to battling a vicious enemy and his minions. It just so happens that the Beast here resembles Sauron and his cronies are reminiscent of stormtroopers and Cylons. Set against the backdrop of breathtaking location shots and realistic soundstage sets, the movie is a testament to the art of filmmaking before the advent of CGI. A solid roster of actors, including Liam Neeson and Robbie Coltrane in one of their earliest roles, adds even more substance to a film that’s a welcome addition to any science fiction or fantasy enthusiast’s Blu-ray library.

"Krull" is available now on Blu-ray.

Return to "Krull" For a Fantastic Journey in Hi-Def

1983’s sci-fi fantasy adventure “Krull” gets its Blu-ray debut thanks to Mill Creek Entertainment. A failure at the box office when it originally came out, the cult classic blends together the best elements of “Star Wars,” “Excalibur,” and “The Lord of the Rings.” The end result is an occasionally slow-paced swashbuckling sword-and-sorcery tale guaranteed to thrill those waiting for it to get a high-definition release.

Scream Factory Unleashes More Classic Horror with “The Vincent Price Collection II”

Following up on last year’s impressive release, Scream Factory unleashes another seven tales of classic terror with “The Vincent Price Collection II.” Treasures found on this volume include “The Raven,” “The Comedy of Terrors,” “The Tomb of Ligeia,” “The Last Man On Earth,” “Dr. Phibes Rises Again!,” “The Return of the Fly,” and “House on Haunted Hill.” None of these films have ever been given a Blu-ray upgrade until now.

“The Vincent Price Collection II” is an interesting mix of different movies from the icon’s long career. We get two more of his Edgar Allan Poe entries both directed by Roger Corman. The sequels “Dr. Phibes Rises Again!” and “The Return of the Fly” are found as well. There must be some sort of issue with the licensing for “The Fly” since it hasn’t been released yet on one of the sets.

It also brings together two of the actor’s most over-used movies in his illustrious career. Both “The Last Man On Earth” and “House on Haunted Hill” have shown up on virtually every classic horror film collection you can find in a bargain bin at Wal-Mart, Target, or the likes. They’re finally given a proper restoration and the attention they truly deserve.

“The Comedy of Terrors” is the follow-up to “The Raven.” Although it wasn’t based on Edgar Allan Poe stories, screenwriter Richard Matheson brings together an all-star cast of genre greats in an attempt to upstage its predecessor. Price is joined by Boris Karloff and Peter Lorre again. This time they’re accompanied by Basil Rathbone. Funnyman Joe E. Brown brings the comedy to the four terrors just like the title of the film proclaims.

Each of the movies packaged in “The Vincent Price Collection II” is presented in 1080p High-Definition with Dolby Digital 2.0 audio. Common sense dictates that none of these movies have ever looked or sounded as good as they do here. Audiences will be pleased with the overall production of the set.

Scream Factory loads up every disc of “The Vincent Price Collection II” with great special features. Introductions and parting words are delivered by Price for the Poe films and “The Comedy of Terrors.” Audio commentary is provided by several people including Roger Corman, Actor Elizabeth Shepherd, and Authors David Del Valle and Derek Botelho. They also contain featurettes, sill galleries, trailers, TV spots, and a promotional record. A 32-page booklet with an essay by Author David Del Valle includes rare photos.

“The Vincent Price Collection II” is a must-have set for every collector of classic horror or the actor’s work. It’s a great mix of the Master of Terror’s finest moments working with legendary filmmakers like Roger Corman and William Castle. No home entertainment library filled with tales of the macabre is complete without this second batch of thrilling movies.

“The Vincent Price Collection II” is available now on Blu-ray.

Scream Factory Unleashes More Classic Horror with “The Vincent Price Collection II”

Following up on last year’s impressive release, Scream Factory unleashes another seven tales of classic terror with “The Vincent Price Collection II.” Treasures found on this volume include “The Raven,” “The Comedy of Terrors,” “The Tomb of Ligeia,” “The Last Man On Earth,” “Dr. Phibes Rises Again!,” “The Return of the Fly,” and “House on Haunted Hill.” None of these films have ever been given a Blu-ray upgrade until now.

Dallas Comic Con's Fan Days 2014 Crosses Genres to Give Diverse Attendees What They Want

Dallas Comic Con's Fan Days 2014 wasn’t as hectic an event as May’s monstrous blow-out, but it still provided plenty of fun for attendees. Held back at the familiar Irving Convention Center, it was better organized than in the past and only had some minor issues.

The biggest draws of the week came from the media guests. After folks got over the disappointment of several canceled appearances, there still found plenty to do. A mini-“Goonies” reunion occurred with Corey Feldman and Ke Huy Quan sitting mere feet from each other. Sean Astin was in attendance as well, completing not only that partial reunion, but a “Lord of the Rings” one with fellow guest Elijah Wood.

Having met Corey Feldman years before at Texas Fearfest, I wanted to catch up with the busy former Lost Boy and Goonie. His new movie “The M Word” is about to come out on DVD for one. He will also be embarking on a tour to promote his band Truth Movement’s new album.

I told Feldman my son thought the next “Friday the 13th” movie should star him in the role of Tommy Jarvis battling Jason Voorhees. He was very keen on the idea and stated there was only one problem. The folks at Platinum Dune won’t pull their heads out of their butts and make a movie fans actually want to see versus what the production company THINKS they want to see. Online petition anyone?

Former child actor Ke Huy Quan spent much of the 1980s not only standing alongside fellow Goonies Sean Astin, Josh Brolin, and Feldman, but also Harrison Ford in “Indiana Jones and the Temple of Doom.” Quan portrayed the spunky Short Round, who assisted the archaeologist / adventurer on one of his greatest adventures.

I found him to be a very humble individual who is grateful for his time in the spotlight. He’s also emotionally affected by the impact the movies he was in had on the fans he greeted. Quan’s only done one other convention besides Fan Days. He’s presently working on a script for an action movie. It will no doubt feature martial arts, with his background as a stunt choreographer for “X-Men,” “The One,” and other such films.

I was supposed to interview Caity Lotz for her recent role in the supernatural thriller “The Pact 2,” but it never happened. I’m also a big fan of “Arrow,” in which she portrays Canary. I was excited to get a chance to talk to the actor when she was announced for Fan Days. She couldn’t really share her opinion on “The Pact 2,” since she hadn’t seen it yet. However, she seemed intent on viewing it as soon as possible.

Lotz said her experience on “Arrow” was a fun one. I voiced my doubt that we had seen the last of Canary. After all, she is (or was) a member of the League of Assassins and Ra’s al Ghul is known for resurrecting himself and his minions using the Lazarus Pit. Is anyone ever really dead on a comic book based TV show? She neither confirmed or denied my sentiments and merely shrugged them off.

I met Elijah Wood briefly and found him to be a sincere and warm gentleman. I shook his hand and told him thanks for the years of great entertainment and the many more to come. He was very cordial and appreciative.

It’s very obvious that Harry Potter fever hasn’t been extinguished. The Weasley Twins, James and Oliver Phelps, caused a traffic jam at the double doors leading to the escalators after their question and answer panel. I thought I was at Hogwarts, what with all the fans dressed in school uniforms baring their wands.

The only legend of the comic book industry I met was Simon Bisley. He was kind enough to autograph my copy of the Batman / Judge Dredd collection. It was nice to interact with such a talented individual if only for a second. He was working on a convention commission when I approached him.

Although there seemed to be fewer vendors in the Exhibition Hall, you still had plenty of collectibles, toys, and comic books to dig through. Artists filled the aisles offering people printed pieces of their work as well as custom ones drawn on the spot. Other booths featured licensed and hard-to-find t-shirts containing characters and slogans from iconic movies and shows like “Firefly,” “Star Wars,” “Star Trek,” “Battlestar Galactica,” “Guardians of the Galaxy,” and any others you can possibly think of.

Dallas Comic-Con’s Fan Days 2014 gave off a sense of relaxed chaos. While the aisles were still crowded with costumed attendees, it wasn’t as crowded as past shows. The whole atmosphere of the experience was more laid back and manageable. It’s no doubt the calm before the May Comic-Con storm that is coming to the Dallas Convention Center.

You can see pictures from Dallas Comic-Con’s Fan Days 2014 right here.

Dallas Comic Con's Fan Days 2014 Crosses Genres to Give Diverse Attendees What They Want

Dallas Comic Con's Fan Days 2014 wasn’t as hectic an event as May’s monstrous blow-out, but it still provided plenty of fun for attendees. Held back at the familiar Irving Convention Center, it was better organized than in the past and only had some minor issues.

“The Paranormal Diaries: Clophill” Redeems the "Found Footage" Genre

I’m not a fan of “found footage” movies at all. First, they give me motion sickness to the point of projectile vomiting. Secondly, it seems like a gimmick filmmakers use as a way to make a cheap movie they can market to millions and profit off. Every once in a while, one comes along and makes me second-guess my attitude towards the horror sub-genre. However, it’s always at home on a much smaller screen than the one found at your local multiplex.

When I received “The Paranormal Diaries: Clophill” in the mail, I immediately dismissed it as another “Paranormal Activities” wannabe. After being “harassed” by the movie’s publicist (she’s great at her job) for my review, I finally gave in while expecting nothing good to come of the experience. I was very wrong in my presumption.

“The Paranormal Diaries: Clophill” sets just the right mood to pull people into its hysteria. What could be more frightening than an old desecrated church in the middle of nowhere rumored to be used as a location for satanic worship? Add to that a disturbing history of death and tragedy and you have a perfect foundation for ghostly sightings and supernatural disturbances. Did I mention the church is surrounded by a graveyard?

The entire movie is made up of faux interviews with researchers and eyewitnesses mixed with video footage of the investigation. Old photos documenting the history of the church and its clergy add more of a realistic flavor to it. Every actor in the film is intent on proving to the audience what they are seeing is genuine.

Only available physically on DVD, “The Paranormal Diaries: Clophill” provides consumers with a few special features. Cast and director commentary is included. A featurette entitled “Tales from the Graveyard” gives us more insight into the movie. Deleted scenes are found as well.

“The Paranormal Diaries: Clophill” is unrated, but would earn an R if assessed by the MPAA. Frightening images, profanity, and nudity would garner the decision. Honesty, the full frontal nudity was unnecessary and could’ve been avoided. The scene pops up towards the end of the film and lasts about one minute.

Another subject I would like to address is the religious factors alluded to in “The Paranormal Diaries: Clophill.” Some of the concepts explored in the movie point in the right direction if you’re a Christian. One guy prays for protection and another man warns against the dangers of using Ouija boards to contact the dead. He also states the difference between ghosts and demons, which many people confuse when it comes to the supernatural.

The investigators in “The Paranormal Diaries: Clophill” still use a Ouija board and other similar tools to contact the dead. They just “hope” that any doorways they open while doing so will be closed afterwards. How often does that happen? It doesn’t happen very often as you’ll witness here.

Does “The Paranormal Diaries: Clophill” pull every cliché punch possible when it comes to the “found footage” technique of filmmaking? You bet it does… and it does it darn well. Every camera angle and every sound amplified leaves the viewer in a constant state of panicked anticipation, just waiting for something to jump out at you. It’s the perfect example of the cinematography technique being utilized correctly.

“The Paranormal Diaries: Clophill” is available now on DVD and as a Digital Download.

“The Paranormal Diaries: Clophill” Redeems the "Found Footage" Genre

I’m not a fan of “found footage” movies at all. First, they give me motion sickness to the point of projectile vomiting. Secondly, it seems like a gimmick filmmakers use as a way to make a cheap movie they can market to millions and profit off. Every once in a while, one comes along and makes me second-guess my attitude towards the horror sub-genre. However, it’s always at home on a much smaller screen than the one found at your local multiplex.

Mill Creek Thrills Slasher Fans with “I Know What You Did Last Summer” Blu-ray

Mill Creek Entertainment’s timing couldn’t be more on the mark. With the announcement that a reboot of “I Know What You Did Last Summer” is heading our way, moviegoers and genre fans will no doubt start searching high and low for a copy of the original to watch. A new Blu-ray release of the 1997 classic slasher flick will help remind everyone why it’s worthy to be re-visited.

A group of partying teenagers accidently hit someone while driving home on July 4th. Scared of what might happen if they report the incident, they proceed to dump the body. Unfortunately, the unrecognizable person isn't dead and, in a panic, is thrown into the sea still alive. A year goes by and the friends start receiving notes from someone who obviously knows their dark secret.

I saw “I Know What You Did Last Summer” in the theater in 1997 and remember what an entertaining thrill ride it was. Everyone was amped up for teen slasher flicks at the time after the re-invention of the genre by Wes Craven’s “Scream.” Writer Kevin Williamson penned the script and gave the film the same exciting twists and turns that made it a rousing success.

The cast of “I Know What You Did Last Summer” helped pull in audiences from all directions. Jennifer Love Hewitt was familiar to many from her role in the successful television series “Party of Five.” Sarah Michelle Gellar played the lead in the smart and scary “Buffy the Vampire Slayer.” Pretty boys Ryan Phillipe and Freddie Prinze Jr. were just starting to make a name for themselves in Hollywood. It was what every teen wanted at the time and even now; Beautiful people getting hacked up one by one by a masked killer.

It doesn’t appear too much time was put into restoring the audio or video for the Blu-ray version. “I Know What You Did Last Summer” is presented in 2.40:1 anamorphic widescreen with Dolby Digital. It looks and sounds good, but I wouldn’t say there are any drastic improvements over the DVD version of the film.

Most Mill Creek Entertainment Blu-ray re-issues don’t come with any special features and “I Know What You Did Last Summer” is no different. Those who crave “Making of” and “Behind-the-Scenes” featurettes will definitely be disappointed. It would be nice if they would at least include all the extras from the DVD release, but maybe licensing won’t permit that.

“I Know What You Did Last Summer” is rated R for strong horror violence and language. It’s rather tame by today’s standards. The violence hearkens back to early “Friday the 13th” and “Halloween” movies. Although there are some adult situations, no nudity is found.

Horror fans looking to keep their home entertainment collections up to date with the latest editions of their favorite movies will want to pick up “I Know What You Did Last Summer” on Blu-ray. Although it doesn’t include any extras, it’s still a worthy purchase for those looking to have the latest high-definition version you can get. You definitely can’t beat the price at under ten dollars.

"I Know What You Did Last Summer" is available now on Blu-ray.

Mill Creek Thrills Slasher Fans with “I Know What You Did Last Summer” Blu-ray

Mill Creek Entertainment’s timing couldn’t be more on the mark. With the announcement that a reboot of “I Know What You Did Last Summer” is heading our way, moviegoers and genre fans will no doubt start searching high and low for a copy of the original to watch. A new Blu-ray release of the 1997 classic slasher flick will help remind everyone why it’s worthy to be re-visited.

Teen Titans #3 Continues to Provide Extraordinary Adventure

Teen Titans is three issues into its relaunch and the team’s situation just keeps getting more and more perilous. A killer robot attacks Raven in broad nightlight as she relaxes at a punk rock show. She calls on the rest of the gang for backup. All signs are pointing at S.T.A.R. Labs as the instigator of the incident and Red Robin begins to investigate.

Writer Will Pfeifer pulls out all the stops in Teen Titans #3. The issue moves quickly and does what any good comic book should. It leaves you wanting more and gripping the edge of your seat. There’s plenty of interweaving drama and character interaction to keep readers engaged.

Teen Titans #3 is obviously targeted to teenagers. The way the narrative flows and the overall atmosphere of the book seeks to relate to youth who feel disenfranchised. It shows that even super heroes have everyday complications to deal with – even if they are on a much larger scale.

We also get insight into how the courageous actions of the group influence their peers who observe every move they make. Many times this is a good thing and promotes positive change. However, there are those who misinterpret and use what they’ve seen to justify their own agendas.

Kenneth Rocafort provides remarkable artwork that will keep your eyes fixed on every page. He faultlessly captures the intensity of Pfeifer’s words perfectly. Each panel of action explodes in vivid colors delivered by Dan Brown. The textures of the illustrations are impressive when Rocafort and Brown’s elements come together.

Teen Titans #3 is rated T for teens. All you get here is the action violence one would expect from a super hero book or movie. Of course every female character presented here wears lowcut or skintight shirts showcasing their cleavage.

I’m still trying to figure out why DC Comics decided to restart the Teen Titans series from number one. I don’t see any difference from the last incarnation of the team or in the tone of the book. There really wasn’t anything wrong before to fix. Teen Titans #3 is a fun ride that will relate to both teenagers and their geek parents.

Teen Titans #3 is available now in print and Kindle editions.

Teen Titans #3 Continues to Provide Extraordinary Adventure

Teen Titans is three issues into its relaunch and the team’s situation just keeps getting more and more perilous. A killer robot attacks Raven in broad nightlight as she relaxes at a punk rock show. She calls on the rest of the gang for backup. All signs are pointing at S.T.A.R. Labs as the instigator of the incident and Red Robin begins to investigate.

Darkseid Takes On Our Super Heroes AGAIN for Earth 2 World's End #2

Earth 2: World’s End continues in issue 2 with our heroes going up against the Fury of Apokolips, K’Li. It’s also discovered that Darkseid’s home world is on a collision course with Earth. Can the super powers of this alternate universe overcome possession by dark forces and stop the destruction of the entire world?

I find it hard to believe that it takes three different writers to come up with the storyline for Earth 2: World’s End #2. That’s an awful lot of cooks in the kitchen for twenty pages of content. Let’s not forget the fact that eight different artists contribute to the illustrations found within its covers. Writers Daniel H. Wilson, Marguerite Bennet, and Mike Johnson penned the script. Their saga is brought to life by the handiwork of Eddy Barrows and Eber Ferreira, Tyler Kirkham and Joe Weems, Paul Siqueira and Cam Smith, and Jorge Jimenez. Breakdowns are provided by Scott McDaniel.

I’m growing weary of the same story being told over and over again with the same villain. Darkseid is quickly wearing out his welcome and his world-conquering shenanigans are becoming tedious. Isn’t there a different super villain out there who deserves their chance in the spotlight?

I do enjoy the interactions between the alternate universe Batman, Superman, Green Lantern, and Red Tornado with Huntress and Power Girl. I also liked the one panel glimpse at the Elemental Forces in this other world. As I’ve said before, it’s fun to visit another plane of existence where unexpected things can happen to our beloved super heroes outside of regular continuity.

Great artwork helps carry a new exploration of what I consider an overused plot line. How many different ways can the Justice League and their allies battle Darkseid and win. Hopefully, the fact that Earth 2: World’s End takes place in another universe will give the writers more room to expand on old concepts. The altered costumes and character backstories helps deaden a sense of déjà vu I’m sure many besides me are experiencing.

Earth 2: World’s End #2 is available now in print and Kindle editions.

Darkseid Takes On Our Super Heroes AGAIN for Earth 2 World's End #2

Earth 2: World’s End continues in issue 2 with our heroes going up against the Fury of Apokolips, K’Li. It’s also discovered that Darkseid’s home world is on a collision course with Earth. Can the super powers of this alternate universe overcome possession by dark forces and stop the destruction of the entire world?

Dallas Comic Con's Fan Days Descends Upon Irving Convention Center This Weekend

Pop culture junkies are in for a treat this weekend as Fan Expo Dallas rolls out the red carpet for Dallas Comic Con's annual Fan Days. Dozens of actors and artists from several different iconic television shows, movies, and comic books will be in attendance meeting and greeting their enthusiastic fans. Let's not forget the multitudes of vendors providing the masses with the opportunity to get their hands on hard-to-find items and merchandise. At the risk of sounding cliche, there really is something for everyone at Dallas Comic Con's Fan Days.

Actors participating in Dallas Comic Con's Fan Days for 2014 include familiar faces from across the geek spectrum. "Lord of the Rings" fans can participate in a mini-reunion between Hobbits with Sean Astin and Elijah Wood. "The Goonies" prove they never say die as Astin is joined by his comrades and "Lost Boys" hunter Corey Feldman and "Indiana Jones and the Temple of Doom" alumni Ke Huy Quan. "Arrow" enthusiasts can breath a sigh of relief and take comfort in knowing super hero Canary is alive and kicking in real life with the appearance of Caity Lotz.

Other media guests include Harry Shearer of "This is Spinal Tap!," "The Simpsons," and "Godzilla." The Weasley Twins, James and Oliver Phelps, from "Harry Potter" will cast a spell on everyone they meet. Those into "Star Wars" can celebrate the franchise by rubbing elbows with original Emperor voice actor Clive Revill and Darth Maul himself - Ray Park. Karen Allen (Marion Ravenwood in "Raiders of the Lost Ark" and "Kingdom of the Crystal Skull") joins the aforementioned Ke Huy Quan (Short Round in "Temple of Doom") from the "Indiana Jones" films to grace us with her rare presence as well. Other celebrities include Kevin Sorbo ("Hercules," "Andromeda," "Kull the Conqueror"), Paul McGann ("Doctor Who"), Green Power Ranger Jason David Frank, and Peter Robbins (the voice of Charlie Brown).

Comic book devotees need not feel left out. Folks who have a renewed interest in Howard the Duck can come face-to-face with character creator Val Mayerik. Simon Bisley returns to showcase his incredible work on legendary books like Batman / Judge Dredd, Lobo, and Heavy Metal. Those eagerly awaiting Marvel's "Venom" movie can meet Mike Zeck, who created the black costume which inspired the one seen in "Spider-Man 3" and that influenced the wall crawler's alien nemesis. Mike McKone (Justice League United), Clayton Crain (Valiant / Marvel illustrator), Tom Raney (Batman / Superman, Infinite Crisis), Josh Howard (Dead@17), James Hudnall (Alpha Flight, Harsh Realm), and Darryl Banks (Green Lantern) are all scheduled to appear.

Throw on your best costume and walk the Coslay red carpet as you join thousands of fellow nerds as Dallas Comic Con's Fan Days takes over the Irving Convention Center (500 W Las Colinas Blvd, Irving, TX 75039) for three days. It kicks off Friday, October 17th at 4:00PM to 8:00PM. It runs 10:00AM to 7:00PM on Saturday and 10:00AM to 5:00PM on Sunday. Tickets for the event can be found at the official website. Children ages five and under attend FREE and do not require a ticket.

Dallas Comic Con's Fan Days Descends Upon Irving Convention Center This Weekend

Pop culture junkies are in for a treat this weekend as Fan Expo Dallas rolls out the red carpet for Dallas Comic Con's annual Fan Days. Dozens of actors and artists from several different iconic television shows, movies, and comic books will be in attendance meeting and greeting their enthusiastic fans. Let's not forget the multitudes of vendors providing the masses with the opportunity to get their hands on hard-to-find items and merchandise. At the risk of sounding cliche, there really is something for everyone at Dallas Comic Con's Fan Days.

'Leprechaun: Origins' Takes the Mythical Creature Seriously

I have a feeling most fans of the early movies are going to be surprised when they delve into “Leprechaun: Origins.” Much like the “Evil Dead” reboot from a few years back, there’s nothing to laugh about here. Gone is the dark humor and puns Warwick Davis rained on his victims starting with a young Jennifer Aniston in 1993.

The comparisons to “Evil Dead” don’t stop there. It’s evident that writer Harris Wilkinson used the remake of Sam Raimi’s classic as an example to pattern “Leprechaun: Origins” after. Much of the movie takes place in a cabin in the woods. Even the camera shots from the Leprechaun’s perspective mimic that of the demon in the aforementioned movie.

Just to ease everyone’s fears, this isn’t a straight remake of the original “Leprechaun.” Although it does have certain elements from the first movie like the setting of a secluded cabin or house and a basement where much of the action takes place, it’s really a completely different animal altogether. Filmmakers did a great job establishing the right mood for the film locations and set designs.

Two young couples backpacking through the Irish countryside make a stop at a secluded pub. While the townsfolk seem warm and welcoming, their politeness has an underlying sinister motive. They owe a Leprechaun sacrificial lambs for stealing his gold. The group of young hikers has unwittingly become his victims.

I was impressed by the direction the script takes for “Leprechaun: Origins.” Producers and writers easily could’ve dumped another entry in the franchise full of comical killings in absurd locations like space or the hood. However, they actually took the time to come up with something sensible and “believable,” if that’s even possible when we’re talking about little magical imps searching for their stolen gold.

The mythical creature found in “Leprechaun: Origins” couldn’t be more different than the one we’ve become accustomed to. Gone is the quick-witted and strangely “cute” little man dressed in a green hat and overalls. We’re given a growling Gollum-like beast that resembles a reptile more so than a chubby little dwarf.

Although WWE Superstar Dylan “Hornswoggle” Postl portrays the title character in “Leprechaun: Origins,” not much should be made of the casting. It’s not like he has any actual speaking parts that would make him recognizable. He’s buried underneath layers of prosthetic makeup. Unlike Warwick Davis’s character, he doesn’t get a chance to inject any personality into the character. He comes across as a smaller version of the monster in “Pumpkinhead.”

My only real complaint about “Leprechaun: Origins” is its cinematography. While I can respect the cameraman’s attempts at concealing the actual appearance of the creature, there has to be other ways to do so besides shaking the camera and making abrupt cuts from one short scene to the next. It makes you feel like you’re having an epileptic seizure. Many of the shooting techniques used in the movie are annoying and come across as juvenile. Some viewers might find it unwatchable at times.

“Leprechaun: Origins” is rated R for horror violence and language. The gore doesn’t quite reach the level of what we see in “Evil Dead,” but still surpasses that of a PG-13 genre film. There are no scenes of nudity or sex. The extent of adult content are kept to a few scenes of two girls in their underwear and bras while making out with their boyfriends. They all take place at the same time.

The DVD version of “Leprechaun: Origins” contains some interesting bonus material for fans of the franchise. Two featurettes are included entitled “’Leprechaun:’ An Icon Reborn” and “’Leprechaun:’ Behind the Blood.” They delve into the making of the movie and bringing it back to life after 11 years.

Those who have been interested in a serious take on the subject will enjoy “Leprechaun: Origins.” If you’re one of those who adored the humor and slapstick killings of the previous entries in the franchise, this isn’t going to fulfill your cravings. There are virtually no comparisons to be made between the original cult classic and this version. If you’re a well-rounded horror and gore enthusiast you’ll find something to enjoy here.

"Leprechaun: Origins" is available now on Blu-ray, DVD, and as a Digital Download.

'Leprechaun: Origins' Takes the Mythical Creature Seriously

I have a feeling most fans of the early movies are going to be surprised when they delve into “Leprechaun: Origins.” Much like the “Evil Dead” reboot from a few years back, there’s nothing to laugh about here. Gone is the dark humor and puns Warwick Davis rained on his victims starting with a young Jennifer Aniston in 1993.

John Belushi and Dan Aykroyd's "Neighbors" Comes Home Again

Mill Creek Entertainment took the release of Seth Rogen and Zac Efron’s “Neighbors” and used it to their advantage. They’ve made many fans of early “Saturday Night Live” and 1980’s comedies extremely happy. The long out-of-print “Neighbors” starring John Belushi and Dan Aykroyd is finally seeing the light of day once again.

An eccentric young couple (Dan Aykroyd and Cathy Moriarity) move in next door to a reserved man (John Belushi) and his wife's (Kathryn Walker) residence. It's evident from the start that these two misfits are out of place in the cul-de-sacs of the suburbs. As the night progresses, things get more and more zany and out of control.

Whether John G. Avildsen’s cinematic adaptation of Thomas Berger’s best-selling novel “Neighbors” is cinematic gold is still up for debate 33 years later. Some call it an uneven comedic misfire. Others would claim it to be a foreshadowing of the darkly and quirky genius that would become a popular and respectable sub-genre thanks to Tim Burton’s rise to fame a few years later.

Although “Neighbors” has Belushi and Aykroyd successfully switching roles, it’s still a perfect example of the charisma the two had when they paired up together. Belushi would usually play crazy to Aykroyd’s straight man. However, the two decided to switch parts at the beginning of production for this film. It gives the movie a unique spin that sets it apart from all the other team –ups the two engaged in.

One thing “Neighbors” does well is suck you into its crazy world. You truly forget it’s a movie and are taken on a wild ride that unfolds over the period of one Friday night. It gives you that fuzzy buzzy feeling you get when you stay awake all night long after the last day of the work week. The sensation adds to the quirky viewing experience.

Although it’s rated R, “Neighbors” would achieve nothing above a PG-13 if released today. There’s quite a bit of profanity and adult content. However, no nudity is found. It’s tame by today’s rating standards.

“Neighbors” was only re- released on DVD, which will no doubt make many consumers depressed. It’s still nice to be able to get our hands on a copy of the movie after so many years off the grid. There are no special features included. We can only dream about new interviews with Dan Aykroyd, Cathy Moriarity, and Kathryn Walker about the making of the film and working with Belushi.

A new edition of “Neighbors” is a welcome addition to any film enthusiast’s library of 1980’s comedy classics. It captures a unique moment in the careers of John Belushi and Dan Aykroyd. Even without any bonus material or “Behind-the-Scenes” featurettes, it’s still worth picking up thanks to an entertainingly dark romp through suburbia.

“Neighbors” is available now on DVD.

John Belushi and Dan Aykroyd's "Neighbors" Comes Home Again

Mill Creek Entertainment took the release of Seth Rogen and Zac Efron’s “Neighbors” and used it to their advantage. They’ve made many fans of early “Saturday Night Live” and 1980’s comedies extremely happy. The long out-of-print “Neighbors” starring John Belushi and Dan Aykroyd is finally seeing the light of day once again.

"The Pact 2" Directors Talk Following Up Original Critically Acclaimed Supernatural Thriller (Video)

Making a sequel to even a hit independent horror film can be a daunting task. It might not hold quite as much accountability as coming up with the next entry in the “X-Men” or “Batman” franchises, but still a nerve-wracking charge nonetheless. It’s a challenge Co-Directors Dallas Richard Hallam and Patrick Horvath embraced when asked to helm the follow-up to Nicholas McCarthy’s supernatural thriller “The Pact.”

“The Pact” was a sleeper hit for Director / Writer Nicholas McCarthy who worked the film festival circuit and successfully secured theatrical and home entertainment distribution through heavy-hitters like IFC Films, E One Entertainment, and 20th Century Fox. Reviews for the movie were mainly positive not only through major horror outlets like Shockya.com and Horror.com, but mainstream ones such as the Hollywood Reporter, Los Angeles Times, New York Times, and Village Voice. Let’s just say Hallam and Horvath had their work cut out for them when it came to following up the sensation surrounding the first film.

The two worked together previously on the horror / thriller “Entrance.” The experience was a positive one and they’ve teamed up ever since. Hallam is best known for his work in the art department for “The Haunting of Molly Hartley” and “Punk’d.” He was also the Production Designer for the comedy / horror movie “Grizzly Park.” Horvath worked on television shows and movies like “Silent Night, Zombie Night” and “Pit Boss” in the Camera and Electrical Departments He also directed the indie horror flick “Die-ner (Get It?).”

I had the opportunity to interview both of these talented filmmakers about their experiences bringing “The Pact 2” to life. They shared insights on the responsibility they took on extending the story and world Nicholas McCarthy created within the first movie. It was done via Skype, so you get up close and personal with the talented artists as they answer my candid queries.

“The Pact 2” revolves around June Abbott (Camilla Luddington), who spends the days cleaning up crime scenes and the nights using her experiences as fuel for a book she is illustrating. She begins having visions of the Judas Killer (Mark Steger) and his victims just as her police officer boyfriend (Scott Michael Foster) starts investigating a new case. It involves a psycho patterning his killings after the infamous murderer. Are her nightmares trying to warn her of something genuine she has to fear? When real life begins to spiral out of control, June contacts a former victim of the Judas Killer named Annie (Caity Lotz) to help her make sense of the events unraveling around her.





"The Pact 2" is available now as a Digital Download.

"The Pact 2" Directors Talk Following Up Original Critically Acclaimed Supernatural Thriller (Video)

Making a sequel to even a hit independent horror film can be a daunting task. It might not hold quite as much accountability as coming up with the next entry in the “X-Men” or “Batman” franchises, but still a nerve-wracking charge nonetheless. It’s a challenge Co-Directors Dallas Richard Hallam and Patrick Horvath embraced when asked to helm the follow-up to Nicholas McCarthy’s supernatural thriller “The Pact.”

"The Devil Incarnate" Is a Weak Addition to the Possession and "Found Footage" Horror Sub-Genres

I should’ve known as soon as the POV footage appeared on my TV what I was in store for after putting “The Devil Incarnate” into my DVD player. As if the cover of a baby with horns adorned with a logo featuring an upside-down cross in place of the “t” wasn’t enough of a warning. I love a good possession or religious thriller so I wanted to give it a chance. I’ll need to remember to listen to my instincts next time.

Holly (Graci Carli) and Trevor Davidson (Rod Luzzi) are newlyweds on a road trip for their honeymoon. After stopping to have their palms read, Holly begins acting strangely. The announcement that she's pregnant further sets off a chain reaction of bizarre behavior and strange occurrences. Is she suffering from mood swings because of the pregnancy or is there something more sinister at work?

The only thing good I have to say about “The Devil Incarnate” is that its actors all come across as genuine in their roles. They give the audience no indication that they didn’t take the movie seriously during production. It’s a testament to each of them and their individual skills. I felt this needed to be recognized.

No sort of Biblical theology is explored in “The Devil Incarnate.” There are two possible “messages” the movie might be trying to convey to viewers. One is that we shouldn’t get involved in the occult. The other is that the sins of our ancestors will affect us. Unfortunately, it doesn’t award us any hope that we can break such a generational curse.

“The Devil Incarnate” is not rated, but would hold an “R” if it were. While there’s no nudity, it contains enough adult situations and content to push it beyond “PG-13.” It also includes frightening images and profanity.

Many times an anemic independent project like “The Devil Incarnate” can gain some sympathy with me if I can see the sort of hard work and passion filmmakers poured into its creation. A “Making of” featurette or “Behind the Scenes” documentary gives a reviewer like myself a chance to experience the blood, sweat, and tears everyone involved in the production put into it. Unfortunately, the DVD contains no special features to help redeem it in my eyes.

“The Devil Incarnate” is the sort of horror film we really don’t need any more of. Playing like an unholy mash-up of “Drag Me to Hell,” “Rosemary’s Baby,” and “The Devil Inside,” it’s an unnecessary addition to the demon possession and "found footage” genres that’ve been overdone lately. There’s not a shred of originality to be found in its 76-minute running time.

"The Devil Incarnate" is available now on DVD and as a Digital Download.

"The Devil Incarnate" Is a Weak Addition to the Possession and "Found Footage" Horror Sub-Genres

I should’ve known as soon as the POV footage appeared on my TV what I was in store for after putting “The Devil Incarnate” into my DVD player. As if the cover of a baby with horns adorned with a logo featuring an upside-down cross in place of the “t” wasn’t enough of a warning. I love a good possession or religious thriller so I wanted to give it a chance. I’ll need to remember to listen to my instincts next time.

"Scooby-Doo! Mystery Incorporated: The Complete Season 2" Concludes the Series

"Scooby-Doo! Mystery Incorporated: The Complete Season 2" collects the last 26 episodes of this highly acclaimed series. I admit it's definitely different from the other shows featuring everybody's favorite crime solving canine. There are way more adult-oriented jokes and witty pop culture nods and winks that most children of the 2000s won't pick up on. However, I still feel it has elements which would appeal to a younger demographic. What's not to like about a Great Dane and his gang of mystery solvers facing off against a different monster every week?

In Season Two, Scooby and the gang continue to try and solve the mystery of the Planispheric Disc. As they uncover the secrets surrounding the different pieces of the artifact, new crimes come up that need to be solved. Each clue they uncover along the way gets them closer to the truth behind the mystical Disc.

"Scooby-Doo! Mystery Incorporated" is obviously a prequel to "Scooby-Doo! Where Are You?" Not to give away too much, but they're shown heading out of their hometown of Crystal Cove in the Mystery Machine as the series closes. This leaves the viewer with the feeling that you could put the original 1969 show in your DVD player and the two would fit seamlessly together.

After 52 episodes, you'd think we could get some type of extra features for the final episodes of "Scooby-Doo! Mystery Incorporated." How can there not be any footage of the voice actors recording their parts or animators doing what they do? Couldn't they get the producers, director, or any of the cast members to record commentary for a few of the episodes?

"Scooby-Doo! Mystery Incorporated: The Complete Season 2" is a wonderful addition to the library of any fan of the Great Dane's adventures or Hanna-Barbera enthusiasts. The monsters are scary and the mysteries will keep kids wondering who the bad guy in the mask is while laughing at the same time. Fans of all things Hanna-Barbera will love it because it incorporates classic characters from the animation studio's colorful past such as Dr. Benton Quest and Roger "Race" Bannon from "Johnny Quest" and Dynomutt and the Blue Falcon.

"Scooby-Doo! Mystery Incorporated: The Complete Season 2" is available now on DVD.

"Scooby-Doo! Mystery Incorporated: The Complete Season 2" Concludes the Series

"Scooby-Doo! Mystery Incorporated: The Complete Season 2" collects the last 26 episodes of this highly acclaimed series. I admit it's definitely different from the other shows featuring everybody's favorite crime solving canine. There are way more adult-oriented jokes and witty pop culture nods and winks that most children of the 2000s won't pick up on. However, I still feel it has elements which would appeal to a younger demographic. What's not to like about a Great Dane and his gang of mystery solvers facing off against a different monster every week?

“X-Men: Days of Future Past” Storms Into Homes

When it was announced that Bryan Singer was returning to the Director’s Chair for “X-Men: Days of Future Past,” fanboys and girls everywhere squealed in excitement. Finally, the series was going back into the hands of the man who helped start the whole film franchise. I, on the other hand, groaned and wondered why “First Class” helmsman Matthew Vaughn couldn’t return to push the story further. It was my favorite entry in the series and took the bad taste out of my mouth created by the mess referred to as “The Last Stand.”

In the distant future, robots known as Sentinels have all but wiped out both mutants and humans. Wolverine is sent by the X-Men to prevent an event which will send history down this path to destruction. First he has to find a way to unite Professor X and Magneto in a search for the harbinger of doom - Mystique.

My worries over Singer’s return to steer the franchise were all realized after the first hour or so of “X-Men: Days of Future Past.” The first portion of the film moves ahead and sets the viewer up for a powerful and epic thrill ride. Unfortunately, like most of the director’s movies, it starts to meander and get tedious right after the halfway mark. The action and excitement gets bogged down in a lot of dramatic narrative which feels as if it was injected into the script to make the movie more analytical than it really needed to be.

One thing I was pleasantly surprised by was the way the massive amount of cast members and the parts they played in the story were handled. I was concerned when it was announced that the original and new actors who portrayed their respective characters were going to be jammed into one movie. How in the world were filmmakers going to keep the movie from becoming overcrowded and derailing?

Director Singer and Screenwriter Simon Kinberg handled the whole affair quite well. Instead of trying to cram as much of a pleasurable thing down our throats as they could, they worked towards the greater good of the whole. They didn’t play favorites and shove certain popular actors into scenes just to give them more face time.

The DVD version of "X-Men: Days of Future Past" includes an array of special features. Optional audio commentary is provided by Director Bryan Singer for the deleted scenes. It contains a few featurettes which include "X-Men: Reunited," "Double Take: Xavier and Magneto," "Sentinels: For a Secure Future," and more. Second Screen App, theatrical trailers, a gag reel, and a Trask Industries gallery are found as well.

“X-Men: Days of Future Past” is rated PG-13for sequences of intense sci-fi violence and action, some suggestive material, nudity, and language. I’ve seen Hugh Jackman’s butt enough now. Does it really have to be showcased in every one of these films?

Although I did enjoy “X-Men: Days of Future Past” to a certain degree, I felt myself getting lethargic as it moved along towards its inevitable climax. By no means is it a bad movie, but I think it could’ve been better under Matthew Vaughn’s direction. I do give it props for fully embracing its science fiction roots. However, much like “X-Men” and “X2,” it’s not a film I’ll fondly fish out of my DVD collection to revisit repeatedly.

“X-Men: Days of Future Past” is available now on 3D Blu-ray, Blu-ray, DVD, and as a Digital Download.

“X-Men: Days of Future Past” Storms Into Homes

When it was announced that Bryan Singer was returning to the Director’s Chair for “X-Men: Days of Future Past,” fanboys and girls everywhere squealed in excitement. Finally, the series was going back into the hands of the man who helped start the whole film franchise. I, on the other hand, groaned and wondered why “First Class” helmsman Matthew Vaughn couldn’t return to push the story further. It was my favorite entry in the series and took the bad taste out of my mouth created by the mess referred to as “The Last Stand.”

Disney's "Sleeping Beauty" Gets Its Diamond Edition

Disney continues its new tradition of unveiling all their classics in digitally restored high-definition with the release of “Sleeping Beauty” in a Diamond Edition. Having been released already in a Blu-ray format, the new version doesn’t create the same sense of urgency we get when one of the vaulted titles gets its first upgrade. Mouse House devotees will still want to jump up and grab one off store shelves before they disappear.

The evil sorceress Maleficent places a curse on Princess Aurora after being slighted by the royal family. She will die by pricking her finger on the spindle of a spinning wheel before her 16th birthday. The king puts his daughter in the care of three fairies who take her into hiding to keep the tragedy from occurring. Maleficent becomes obsessed with finding the girl and fulfilling her evil spell.

“Sleeping Beauty” Diamond Edition is presented in 1080p High-Definition with an aspect ratio of 2.55:1. The digital restoration brings out all the beauty, texture, and depth of the backgrounds and foregrounds for each scene. It’s gorgeously apparent during the climactic battle sequence between the prince and Maleficent.

A 7.1 audio upgrade puts home audiences in the center of all the drama, romance, and action. The movie’s musical score, strong voice cast, and atmospheric sound effects place us in a fairy tale world you’ll want to re-visit time and time again. It’s all a perfect accent to the great imagery unfolding before our very eyes.

“Sleeping Beauty” Diamond Edition comes with a myriad of educating and entertaining bonus material. There are several featurettes focusing on the making of the movie and the talent involved. “Beauty-Oke” provides children of all ages the opportunity to sing along to their favorite songs from the movie. Three deleted scenes are included as well. Some of the classic special features from the original 2008 Blu-ray release are found as well.

I was pleasantly reminded of the dark elegance of Maleficent and the strong gothic overtones presented in “Sleeping Beauty.” They reminded me of the atmosphere found in the underrated “The Black Cauldron” and “Hunchback of Notre Dame.” Being a fan of horror movies, I was attracted to the last quarter of the film more so than the first three.

Disney collectors and those who never got a chance to get the Platinum Edition of “Sleeping Beauty” will want to rush out and grab a copy of the Diamond Edition immediately. After a window of a month or so, this new version will become scarce and you’ll be hard-pressed to find a copy of it anywhere. It’s an essential addition to your family’s home entertainment collection.

"Sleeping Beauty" Diamond Edition is available now on Blu-ray and DVD.